Thursday, March 6, 2014

One Part Mr. Peanut, One Part Hipster Chic | The Monocle Returns as a Fashion Accessory

The one-lensed eyepiece, an item favored by 19th-century military men, robber barons and Mr. Peanut, is finding itself wedged anew into the ocular sockets of would-be gentlemen seeking to emulate the stern countenances of their stuffy forebears.
From the trendy enclaves of Berlin cafes and Manhattan restaurants to gin ads and fashion magazines, the monocle is taking its turn alongside key 21st-century accouterments like sharply tucked plaid shirts and certificates in swine butchering.
“I got it just to have my own style, bring something new to the table,” said Jose Vega, 23, an aspiring Miami rap musician who can be seen sporting a monocle on his SoundCloud page. “Also, I’m nearsighted.”
Warby Parker, the fashion-forward eyeglass maker, features its Colonelmonocle — named after Mustard of the Clue board game, not Klink of “Hogan’s Heroes” — prominently in advertisements to bestow a unique edge on its brand.
And Ray Gallagher, a British seller who has been in the optical business since 1963, has seen sales at his online store The Monocle Shop double over the last five years.
Martin Raymond, a British trend forecaster, credits the rise to what he calls “the new gents,” a hipster subspecies who have been adding monocles to their bespoke tweed and distressed-boot outfits. On a recent trip to Cape Town, Mr. Raymond said, he saw such a group carrying monocles along with tiny brass telescopes kept in satchels.
“All of this is part of a sense of irony and a way of discovering and displaying old artisanal and craft-based technology,” Mr. Raymond said. “You see the monocle appearing in Berlin, parts of South Dublin.”
Toby Miller, a cultural historian, said: “Monocles have always marked people out as beyond the crowd, slightly different. On one hand you have the Prussian officer, on the other you have the effete English lord, and then you also have the New York and London lesbian in the 1920s.”
Monocles are hardly everywhere. You won’t find them at the J. Crew Liquor Store, Topman or even at the on-trend stores run by Monocle magazine.
Even so, Nearsights, an online retailer based in San Francisco that specializes in monocles, said its sales nearly tripled last year to $66,000, from $26,000 in 2012. The owner, James Berry, said that his customers include many men in their 40s and 50s who are finding that no amount of squinting with the naked eye enables them to decide if an iPhone emoticon is a nurse or a grinning devil. These wearers can’t bear the thought of soiling their noses with those banners of middle age, drugstore reading glasses.
While some monocle buyers insert prescription lenses and some wear them with nonmagnifying glass in tints of purple or combat green, a majority of monocles, selling for $40 to $50 with a metal rim, are fitted with a reading lens.
One of Mr. Berry’s monocles, purple-tinted, is worn by the actor Alan Cumming in the March issue of the year-old fashion and arts magazine Spirit and Flesh.
David Gilboa, a founder of Warby Parker, said its monocle has been a surprising hit among chefs who need help seeing recipes. “A lot of them are getting monocles that they clip on to their aprons,” he said. And At NoMad, a clubby restaurant in Manhattan, a monocle is offered to customers who complain that they can’t read the menu in dim light. Perhaps the fussiness of this particular mini-trend may make some customers opt for a soft cocktail, the orange blossom water and cream-based Cease and Desist.
-Allen Salkin, NY Times

Rapper Jose Vega

Tuesday, March 4, 2014

Magazine Analysis- Teen Vogue

February 2008/August 2009

August 2012/November 2011

March 2010


Editorial Calendar



Demographic Breakdown


Ads: 
Clothing brands targeted at an audience 25 and under such as Keds, Aeropostale, Miss Me, and Marc by Marc Jacobs. Beauty and Make up Brands also include those of lower price points, like Rimmel, L'Oreal, and Zoya nail polish. There are often ads advertising back-to-school essentials, graduations, and internships, suggesting their target is a student going onto higher education or graduating from. 

Articles:


//Actually Polina Edmunds (San Jose, CA)  who was on the figure skating team was also 15. BOTH were the youngest on the team, not just Maggie. Polina also finished in 9th place.//


//On pic 2 I loved what she put together. Leather jacket and dress, pretty casual I know, but something I would totally wear. Maybe not with heals, but a pair of combat boots or sneakers.//

//-Feb 12, 2014"Mindy Kaling is amazing, The Mindy Project is one of the most hilarious shows that I've ever watched. Love Her!"//

-All profiles on getting through troubles and hardships as an adolescent. More stories like these have been printed in the magazine itself that were not linked to the website-


My profile on a recently graduated college student, could be submitted to Teen Vogue. "Young trendsetters everywhere know there’s only one authentic source for emerging fashion, beauty and pop culture delivered with the sophistication of the Vogue brand." They do not only address fashion and beauty, but also young adolescent life. Ranging from: applying to college, landing an internship, finding a working job after graduation, and how to get through the hardships that are our late teens and twenties. My story would provide another route given to students upon graduating, and how to move on from there. Profiling someone who has graduated school, working to pay off loans, and searching for their dream job draws on an element of "rags to riches" and how to persevere to obtain what you want. Many people sugar coat life after graduation, like we must know where we are going and what we are doing. Often times this is not the case, and we need to figure out our own pathway. 

A second option for my profile would be someone who took a semester off of college to reflect on themselves. Like I stated previously, many young adults are pressured into doing what is in the "norm." (College, work, etc) Seeing that someone else is doing something a bit different on a separate path, and hearing their story could be inspiring and intuitive. 





·      Writer’s guidelines for the publication
·      Editor’s notes
·      Letters to the editor



Wednesday, February 26, 2014

Re-Making His Marc | David Amsden W Magazine

"On a wintry afternoon in December, a few days before Christmas,Marc Jacobs was sitting in the lobby of the Mercer hotel in downtown Manhattan, sipping an espresso and trying to slow the carousel of ideas, schemes, fantasies, and anxieties that is perpetually at spin inside his mind. He’d arrived from Paris two days earlier, and this was his second stay in New York since resigning as the creative director of Louis Vuitton, a decision he announced in October and one he made in order to focus on taking his own company public. While the fashion world was still digesting the news of his departure—making headlines is a skill Jacobs has honed as effectively as making clothes—the designer was too busy working on prints and fabrics for his upcoming fall collection to indulge in any grieving or nostalgia. “I got that out of my system in Paris,” he said, launching into one of the digression-heavy, vulnerability-exposing monologues that are his favored mode of communication. “I cleaned out my office six weeks ago. I said my goodbyes, I shed some tears, I was a little depressed and felt my feelings, you know? Now I’m here, and it’s time to feel something else, which, to be honest, at the moment is feeling creatively burnt out. But”—he clarified without pause—“I feel that all the time. Burnt out, inspired, scared, excited. Something I learned many shrinks ago is that it’s really all the same.”
-
"After three hours, Jacobs’s attention had begun to wane. “I’m reaching the get-me-out-of-here point,” he announced, thinking more about strolling the beach with his dog than whether the leather could or should be more matte. “Are you sure you guys don’t want to continue this tomorrow out by the pool?” Teasingly, he turned toward a member of his design team. “I’m sure you can find a swimsuit. There’s an Hermès boutique on the island. And Vuitton, too!” Jacobs smiled. He was not yet content with the bags, but then again, he is never quite content with anything. “When I get back, we’ll work weekends, okay? When am I back, anyway?” He closed his eyes for a moment, rubbing his temples as a cigarette smoldered in the ashtray. “Is this the craziest time in my life?” Jacobs asked. “Yes, it is. But there’s always a reason why any given moment is the craziest moment in my life. That’s just how it is. Always a fresh hell. Which is fine. So long as it’s a fresh hell, and not the same old hell, you know?” With that, he smiled, his shoulders loosening. “The same old hell, now that would just be boring.”

Although  Amsden jumped right into the main reason for the profile (Jacobs leaving his post as Creative Director at Louis Vuitton), he set up the profile with great quotes given by Jacobs that opened up a lot to cover in regards to his upcoming collection, his feelings on his departure form the LMVH house, and the feelings both good and bad, that have gotten him this far in life. 
In the closing paragraph, Jacobs is at a meeting for the designs of his new handbags. Amsden did not do much analysis himself, but simply used great quotes from Jacobs himself to wrap up the article. I particularly like the last bit, "Always a fresh hell. Which is fine. So long as it’s a fresh hell, and not the same old hell, you know?” Giving the reader an idea of how stinging the design and rebranding process is, but how worthwhile it can be.